![]() The film earns its freakiness: Director Vincenzo Natali and company have wisely realized that if situations and conflicts are believable first and foremost, the experience will be far more immersive - and intense - than the usual jumping-out-of-cupboards nonsense. That’s largely because of the seriousness with which the characters and their qualms are explored. ![]() Delphine Chanéac, who plays Dren for most of the film, marries the behaviors of several animals with the emerging consciousness of a human has echoes of “Aliens” and “Frankenstein,” but whatever components the film is sewn together from, it feels original. Now older, Dren (Delphine Chaneac) seduces Clive, and the pair are caught having sex by Elsa, who is naturally upset by this. As the boss who is very worried, David Hewlett is hilariously unhappy. The film avoids cliché and has several effective reveals and genuinely funny moments, including one of the least-encouraging shareholder meetings ever. The authenticity of that triangle is sure to generate some of the most uncomfortable laughter you’ll hear at a movie this year. Perhaps the film’s most interesting and nerve-jangling component is the evolving dynamic among the childless couple and their experiment-pet-baby-monster. ![]() Polley’s Elsa is a multilayered person balancing an aversion to motherhood with deep-seated maternal yearnings. The Ending In the final moments of the film, Dren suddenly dies and Elsa and Clive bury her in the woods. The clever script and grounded performances - especially by Polley - convincingly sell the “good idea at the time” hubris of geniuses making horrible decisions. The resulting creation, Dren, resembles a rabbit-cat-human infant at first (the visual effects are top notch), something downright huggable. As Clive says, “What’s the worst that could happen?”Īs one might imagine, the worst is more than a Petri dish of nonviable goo. Bush was right!) whose proteins could defeat cancer and other scourges - they rush to finish their work. When they realize they’re about to lose the chance to pursue their ultimate goal - a human-animal hybrid ( George W. Their crowning achievement is a pair of multi-animal creations that resemble massive, fleshy worms. The likes of Darth Vader, the Xenomorph, and HAL 9000 all come from the world of science fiction. The science-fiction genre has been responsible for some of the most iconic movie villains of all time. But it wins best in show by focusing on one of the weirder relationship triangles in recent memory.Įlsa (Sarah Polley) and Clive ( Adrien Brody) are brilliant scientists creating genetically modified organisms to harvest proteins that might cure diseases. Published Some of the scariest villains came in the 2000s, with everything from giant monsters to humans with twisted motivations. In its mix are ethical quandaries in biotechnology, nature versus nurture and an adorable-sexy-disturbing monster. It’s a smart, slickly paced, well-acted science-fiction cautionary tale-horror movie-psychological drama.
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